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Music of Sub-Saharan Africa
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An International Bibliography and Resource Guide
By John Gray
Price: $160.00
Binding: Cloth
ISBN: 9780984413478
xvi, 1119 pages
African Diaspora Press
Pub. Date: March 2018
SUBJECTS Music Reference
Ethnomusicology
Dance
African Studies
Black/Diaspora Studies
SERIES TITLE: Black Music Reference Series
SERIES NUMBER: 8
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AWARDS
Winner of the 2020 Vincent A. Duckles Award for 'best book-length bibliography or other research tool' from the Music Library Association
DESCRIPTION
For more than a quarter century African Music, the author's acclaimed 1991 bibliography, has been a standard reference work on the subject. Now, at long last, we have its companion. Comprised of entirely new material, Music of Sub-Saharan Africa offers users a comprehensive guide to the enormous literature which has emerged on sub-Saharan music and dance in recent decades.
This much expanded and revised edition is organized into five easy to navigate sections—General Works; Musical Instruments; Regional Studies; African Music Abroad; and Biographical and Critical Studies—allowing users to quickly access the information they need. It also includes a detailed subject index which offers a key to all of the book's sections and another way to quickly pinpoint citations by topic, genre, instrument type, geographical location or ethnic group.
Major Highlights include:
- Comprehensiveness. Includes more than 8000 entries published between 1990 and 2014 as well as a wealth of older material not included in African Music
- Linguistic diversity. Covers works in English, French, German, Portuguese, Spanish and Italian
- Enhanced coverage of African sources, many not indexed anywhere else
- Broader examination of topical studies ranging from gender and AIDS to politics, migration and postcolonial identity
- In-depth coverage of music education throughout sub-Saharan Africa
- Two sections devoted to local and regional studies. One focused on the 4 major subregions and 43 nation-states of sub-Saharan Africa, and another on the migration of these traditions to 36 countries abroad, including major centers in France, Great Britain, Germany, Israel, and the United States
- Detailed coverage of the subcontinent's panoply of musical styles—art and choral musics, religious music of all kinds (Christian, Jewish, Islamic and indigenous), and myriad popular genres, both well-established and newly emergent, e.g., highlife, jazz, taarab, and hip-hop
- An extensive biographical section documenting the careers of almost 1500 performers, composers, ethnomusicologists, and others. These range from pop icons such as Salif Keita and Miriam Makeba to literally hundreds of lesser-known oral poets, classical composers, and music industry figures. Also included are a select number of composers and performers from outside of Africa, e.g., Paul Simon, Gyorgy Ligeti, and Steve Reich, whose work has been deeply influenced by African traditions
An essential resource for all Africanist and music researchers, educators and librarians.
PRAISE FOR THE FIRST EDITION
"[African Music] is a book that belongs in every university library, as well as the personal library of serious scholars of African music. It is a remarkably well-researched bibliography...which should be of use to scholars of Africa in general and of African music in particular." —International Journal of African Historical Studies
"John Gray's African Music is a truly outstanding achievement. The work of an experienced bibliographer, [it] is likely to become the standard reference tool on African music for the next decade or so. With a staggering 5,802 entries, African Music supersedes all previously available bibliographies in scope, the clear organization of its data, and of course, its up-to-dateness." —African Music
TABLE OF CONTENTS
Acknowledgments
Introduction
I. GENERAL WORKS
Music and Education
II. MUSICAL INSTRUMENTS
Aerophones (Wind Instruments)
Chordophones (String Instruments)
Idiophones (Marimbas/Xylophones)
Lamellophones (Mbiras, Sanzas, etc.)
Membranophones (Drums)
III. REGIONAL STUDIES
West Africa
Benin
Burkina Faso
Cameroon
Chad
Cote d'Ivoire
Equatorial Guinea
Gambia, The
Ghana
Northern Ghana
Southern Ghana
Akan
Ashanti
Ewe
Ga
Nzema
Guinea
Guinea-Bissau
Liberia
Mali
Bambara
Mauritania
Niger
Nigeria
Central and Northern Nigeria
Hausa
Tiv
Southern Nigeria
Edo/Bini
Ibibio
Igbo
Igede
Urhobo
Yoruba
Sao Tome and Principe
Senegal
Sierra Leone
Togo
Central Africa
Angola
Burundi
Central African Republic
Banda
Pygmies
Congo (Brazzaville)
Congo (Democratic Republic)
Gabon
Rwanda
Southern Africa
Botswana
Lesotho
Malawi
Mozambique
Namibia
South Africa
Sotho
Tsonga
Venda
Xhosa
Zulu
Swaziland
Zambia
Zimbabwe
Shona
East Africa
Djibouti
Eritrea
Ethiopia
Kenya
Somalia
Sudan
Tanzania
Uganda
Ganda
IV. AFRICAN MUSIC ABROAD Australia
Austria
Belgium
Brazil
Canada
China
Colombia
Cuba
Czech Republic
Denmark
Egypt
Finland
France
Germany
Great Britain
Haiti
India
Iraq
Israel
Italy
Jamaica
Mexico
Netherlands, The
Oman
Pakistan
Portugal
Qatar
Saudi Arabia
Serbia
Spain
Sweden
Switzerland
Ukraine
United Arab Emirates
United States
Yemen
V. BIOGRAPHICAL AND CRITICAL STUDIES
Sources Consulted
Libraries, Museums, and Archives
Appendix I: List of Individuals and Ensembles by Idiom/Occupation
Appendix II: List of Individuals and Ensembles by Country
Author Index
Subject Index
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ABOUT THE AUTHOR
JOHN GRAY is an independent scholar specializing in the performing arts and traditional religion of Africa and the African Diaspora. His previous music-related titles include Hip-Hop Studies; Carnival, Calypso and Steel Pan; Afro-Brazilian Music; Afro-Cuban Music; Jamaican Popular Music; From Vodou to Zouk; African Music; Fire Music; and Blacks in Classical Music. His work Baila! A Bibliographic Guide to Afro-Latin Dance Musics from Mambo to Salsa, was the recipient of the 2015 Vincent H. Duckles Award (for best book-length bibliography or reference work published in 2013) from the Music Library Association.
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www.African-Diaspora-Press.com
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